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Jan Both
Italian landscape with mule driver.
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ID: 98456
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Jan Both
Jan Dirksz Both (between 1610 and 1618 - August 9, 1652) Jan Both was a Dutch painter, draughtsman, and etcher, who made an important contribution to the development of Dutch Italianate landscape painting.
Both was born in Utrecht, and was the brother of Andries Both. According to Houbraken, the brothers first learned to paint from their father, who was a glass-painter or glazier there. Later Jan was a pupil of Abraham Bloemaert and still later the brothers traveled together to Rome via France. Gerrit van Honthorst has also been suggested as a teacher.
By 1638 Jan and his brother Andries were in Rome where Andries concentrated on genre works in the manner of Pieter van Laer, while Jan concentrated on landscapes in the manner of Claude Lorrain.[1] In 1639 Jan collaborated with Herman van Swanevelt and Claude Lorrain on a project for the Buen Retiro Palace in Madrid. Certainly by 1646 Jan had returned to Utrecht, where he refined further his expansive, imaginary landscapes drenched with a Mediterranean golden light. In Landscape with Bandits Leading Prisoners (Museum of Fine Arts, Boston) the sandy road makes a sweeping diagonal from the left. Touches of realism in the down-to-earth figures and detailed vegetation of the foreground contrast with the idyllic golden distance. Occasionally Both peoples his landscapes with religious or mythological figures as in Judgement of Paris (London, National Gallery) where the figures were painted by a fellow Utrecht artist, Cornelis van Poelenburch. Jan's brother Andries (c.1612-41), who specialised in peasant scenes, died in Venice as they were returning to Utrecht. Related Paintings of Jan Both :. | Italian landscape. | Italian landscape with draughtsman. | An Italianate Landscape with Travelers on a Path, oil on canvas painting by Jan Both, 1645-50, Getty Center | Ruins at the Sea | Abendlandschaft | Related Artists: Joseph Vivien (1657 - 5 December 1735) was a French painter of Lyon.
He left his native Lyon for Paris at the age of twenty and found employment in the large atelier of Charles Le Brun, the equivalent of an academy. He made his reputation by his portraits in pastels, to which he gave a sparkle and immediacy hitherto unreached in that medium.
He was received in the Academie royale de peinture et de sculpture in 1701, under the designation peintre en pastel. He was appointed counsellor to the Academy and provided lodging under royal auspices at the royal manufactory of the Gobelins.
From Paris he visited Brussels. Vivien was taken up by the francophil Elector of Cologne and worked at Munich, as first painter to the Elector's brother, Maximilian Emmanuel, Elector of Bavaria. Paul Sandby MunnBritish watercolour painter, 1773-1845 Levitan, IsaakRussian Painter, 1860-1900
Russian painter of Lithuanian birth. He largely painted landscapes (including pastel sketches), which are noted for their emotive or symbolic resonance. His 'landscapes of mood' had a profound influence on Russian landscape painting, to which he introduced a sense of the unity of humankind and nature, and of the spiritual power of the Russian
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